Re:Match 1.3.5 for After Effects and Premiere Pro Node-Locked Re:Vision Effects

Re:Match 1.3.5 for After Effects and Premiere Pro Node-Locked

Overview

RE:Match takes intuitive color and texture matching to a whole new level by addressing common problems on multicam and stereo shoots.

RE:Match is a set of plug-ins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings. RE:Match assumes that both image sequences are taken roughly at the same location but perhaps were not shot at the same time or from the same point-of-view.

For multicam shoots, or single camera shoots consisting of multiple shots with different lighting or camera settings, RE:Match matches as best it can one sequence's overall color appearance to match that of another.

 

Features

What's new in version 1.3.5?

- RE:Match Color: Fixes a problem where Adjustment Controls were not properly taken into account with Stored Analysis.

- RE:Match Color: Enables Limit setting (slider might have slightly different effect than previous versions since it now works in a more expected way).

- RE:Match Color: Fixex images produced that could be too bright when using Adjustment Controls with Limit slider on floating point images.

- RE:Match Stereo: Fixes issue with alpha when using Maintain Alpha mode.

- RE:Match Color: Fixes a problem where the Store Still Time action could be writing wrong frame time depending on Premiere version.

 

RE:Match contains the plug-in RE:Match Color with the following features:

- Ability to globally color correct one sequence to match another.

- Ability to set a color correction using a particular point in time of the sequence to match. Up to four still images can be selected and used to control the color correction over time.

- Ability to globally color correct individually for each pair of frames in both sequences.

- Ability to store the current color correction and use it on other sequences via cut-and-paste of the plug-in to another clip.

- Ability to dissolve between two different color corrections over a period of time.

- Ability to perform automatic global (whole image) color correction based on a smaller window of pixels for each of the image sequences.

- Works well with over bright values and very wide dynamic ranges.

 

RE:Match Pro has all the above features and adds RE:Match Stereo plug-in with the following features:

- Matching for stereo pairs takes advantage of internal per-pixel registration using optical flow methods.

- Stereo pair matching takes into account occlusions.

- Stereo pair matching takes into account that the two images may not have corresponding details at some of the edges of the frame.

- Stereo matching has controls for making details, such as reflections, lens flares and specular highlights match between the two views.

- Methods provided to remove or attenuate on-lens artifacts (such as water drops on a lens).

- Because RE:Match uses internal pixel registration, stereo matching does not require image alignment prior to use.

- Visualization modes are provided to visualize and guide what RE:Match is doing internally.

- Not limited to any particular resolution of images.

- Works on all bit depths, including HDR images.

- Works well with over bright values and very wide dynamic ranges.

Requirements

Host Applications:
Adobe After Effects
Adobe Premiere Pro

Operating Systems:
Mac
Windows

System Requirements:

 

Availability and compatibility:

After Effects and Premiere Pro, CS5 or later. RE:Match only supports 64-bit applications.

 RE:Match is now part of the Effections Plus bundle for After Effects

 

Regular Price : $89.95

AV3 Price : $85.45

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